Following up on Jo Wolff's piece, philosopher Mary Midgley (one of those mentioned by Wolff) writes to The Guardian:
As a survivor from the wartime group [at Oxford], I can only say: sorry, but the reason was indeed that there were fewer men about then. The trouble is not, of course, men as such – men have done good enough philosophy in the past. What is wrong is a particular style of philosophising that results from encouraging a lot of clever young men to compete in winning arguments. These people then quickly build up a set of games out of simple oppositions and elaborate them until, in the end, nobody else can see what they are talking about. All this can go on until somebody from outside the circle finally explodes it by moving the conversation on to a quite different topic, after which the games are forgotten. Hobbes did this in the 1640s. Moore and Russell did it in the 1890s. And actually I think the time is about ripe for somebody to do it today. By contrast, in those wartime classes – which were small – men (conscientious objectors etc) were present as well as women, but they weren't keen on arguing.
It was clear that we were all more interested in understanding this deeply puzzling world than in putting each other down. That was how Elizabeth Anscombe, Philippa Foot, Iris Murdoch, Mary Warnock and I, in our various ways, all came to think out alternatives to the brash, unreal style of philosophising – based essentially on logical positivism – that was current at the time. And these were the ideas that we later expressed in our own writings.
A number of interesting and/or curious claims here (I am particularly struck by the confident dismissal of logical positivism, and by the implication that Oxford no longer produces talented female philosophers), but I'm curious what readers think? Signed comments will, of course, be preferred.
UPDATE: A commenter calls our attention to this 2001 profile of Midgley, which is a bit ironic in this context:
Mary Midgley, aged 81, may be the most frightening philosopher in the country: the one before whom it is least pleasant to appear a fool. One moment she sits by her fire in Newcastle like a round-cheeked tabby cat; the next she is deploying a savage Oxonian precision of language to dissect some error as a cat dissects a living mouse.



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